Saturday, October 8, 2022

日本のメディア: "74" by Itoki Hana and Toby Fox

 
    This is a song that I discovered during the spring of 2020, during the quarantine. During this time, I found the musical artist Itoki Hana and listened to most of her works. This song in particular I enjoy not only because of its melody but also because of its unique themes and story. The song presents itself as a stereotypical tale of a princess trapped in a tower, guarded by a dragon, who waits for a brave knight to rescue her one day. The number "73" is repeated over and over as the number of knights who have died trying to save her. This song occurs as she sees the 74th knight try to climb the tower to save her, and the princess laments being trapped for so long. 

    The subtitles are presented in three colors: one for the princess' spoken dialogue, one for the knight's dialogue, and one for the princess' inner thoughts. The princess looks on in seemingly abject sadness as she watches the knight die from the traps and the dragon in the tower. Then, the tone of the song drastically changes as it is revealed that the princess actually fears the knight rescuing her. It is revealed that she is the one who actually set the traps, gathered the monsters, and imprisoned herself in the tower, and that she fears that she will lose this aspect that "makes her special" if she is ever freed. The song ends as the princess, now revealed to be the true monster and a dragon herself, kills the knight as he enters her chambers, and we are left with the final number "seventy-four" as the total count of all the knights who have fallen trying to save her. 

    Of the Japanese media I have consumed, I have often seen the theme of adopting Western fairytales or tropes and adding twists to them that surprise the viewer. In my opinion, this song acts as the perfect example of taking a trope and using it to subvert expectations. The other artist in this song, Toby Fox, is a well-known music composer and video game developer. He has said before that he was strongly influenced by Japanese role-playing games like the Mother series (Earthbound) in both his music and his game development.

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